‘Her footwork as executed in Layakari was flawless’ . - Dr.Sunil Kothari The Economic Times.

‘Sushmita has good footwork as well as acumen in Abhinaya. Her Abhinaya in Ghalib’s ghazal had a refreshness both in its imagery and presentation’. -  The Statesman.

‘Sushmita unleashed her superb tayyari with confidence and ease. Her movements were replete with nazakat and khubsurati which are the salient features of Lucknow gharana’. - The Telegraph.

‘Her ladi exhibited deft footwork in combined laya patterns’. - National Herald.

‘She went through the tayyari and concluded with Makhan Chori which she enacted with apt mime’. - The Times of India.

‘Sushmita’s footwork was exquisite’. - The Bangkok Post.

‘Sushmita Banerjee is a very talented and hard working artist.’ - Ustad Amjad Ali Khan

‘It was wonderful to see you again in Calcutta and we enjoyed your performance’ - The Rt. Hon. The Lord Paul of Marylebone, London

‘Tulsidas's Ramcharitmanas was creatively interpreted by Sushmita through her own choreography.Thereafter she presented her piece de resistance, Kumarsambhavam of Kalidasa which has not been previously attempted in the Kathak idiom.’ - The Statesman.

‘Sushmita created a distinctive mode in her Ekahari Shaili of Kathak at the Kathak Kalakshetra Festival in Rabindra Bharati in Hyderabad. She perfectly balanced between expressional items and rhythmical variations and her Tehais and Parans had a spontaneous spirit’. - The Hindu.

‘Sushmita opened a case of old style Kathak Taleem at the Habitat Centre. Her control over rhythm makes possible all those details of neat arrivals on the Sama and Upaj possibilities that show a dancer's talent. Shanta Serbjeet Singh.’ - The Hindustan Times, New Delhi.